180Labs
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Fig. 01 — VR180 post

VR180 yourworkstationcan't finish

Stitching, color and encode for footage that stalls a normal edit bay. You shoot it — the heavy machine is my problem.

See packagesHow it works
Hero reel
Turnaround
72 hours
Camera
Canon R5C · 8K60
Output
H.265 · AV1
From
USD 340
Fig. 02 — Why it stalls

Immersive footage breaks normal post

None of this is exotic work. It is just work that most edit bays cannot physically complete before your deadline.

  1. 01

    The files are the problem

    An hour of 8K60 dual-fisheye is hundreds of gigabytes. Scrubbing it needs proxies, and building proxies at that resolution is itself an overnight job on a normal machine.

  2. 02

    Fisheye is not footage yet

    What comes off the card is two circles, not a picture. Dewarping, aligning and reprojecting to equirectangular is a calibration job, and a bad stitch line lands right where the viewer is looking.

  3. 03

    Encoding is where deadlines die

    Immersive delivery means high-bitrate 10-bit H.265 or AV1 at resolutions the format was never benchmarked on. Encodes run in hours, not minutes, and a wrong flag means running them all again.

  4. 04

    It has to be checked in a headset

    Convergence, horizon and stitch errors are invisible on a flat monitor. Every delivery gets reviewed where it will actually be watched.

Fig. 03 — Who this is for

Four ways people arrive here

  • 01

    VR creators & studios

    You already know the pipeline. What you do not have is a second machine and forty spare hours per delivery.

  • 02

    Production companies

    You shot immersive for a client and discovered nobody in the building can finish it. Hand over the card and keep your delivery date.

  • 03

    Brands & venues

    Property tours, travel, live venues, training. You need something that works in a headset, not a flat video with a wide lens.

  • 04

    Editors & post houses

    You took the job and the immersive part is out of scope. White label, your name on the delivery, no contact with your client.

Fig. 04 — Packages

Fixed price. Two limits. No quoting.

Every package covers stitching, color and encode. Only the length changes. Each one states a delivered limit and a source limit, so neither of us discovers a problem halfway through.

  • Short72 hours

    $340

    Delivered
    Up to 5 min delivered
    Source
    Up to 30 min of source

    Single scene, a teaser, or a test of how this works before you commit a real project.

    • Stitching and reprojection
    • Color correction
    • Platform-ready encode
    • Headset review before delivery
    Choose Short
  • Standard5 days

    $780

    Delivered
    Up to 15 min delivered
    Source
    Up to 90 min of source

    The usual shape of a finished immersive piece. Most projects land here.

    • Everything in Short
    • Multi-platform encodes
    • Spatial metadata per platform
    • Master file included
    Choose Standard
  • Feature10 days

    $1,640

    Delivered
    Up to 40 min delivered
    Source
    Up to 240 min of source

    Long-form, multi-scene work, or a batch of shorter pieces delivered together.

    • Everything in Standard
    • Priority in the render queue
    • HDR grade on request
    • ProRes master included
    Choose Feature

Prices in USD, charged once. The next screen shows exactly what you are buying before anything is charged.

Fig. 05 — Process

Four steps, no meetings

  1. 01

    Pick a package

    The next screen shows exactly what that package covers and asks three questions about your project. No discovery call, no quote to wait for.

  2. 02

    Paste a link and pay

    A link to wherever the footage already lives — Drive, Dropbox, WeTransfer. Then card details, and that is it. The clock starts when the download completes.

  3. 03

    It gets processed

    Stitch, color, encode, and a full review in a headset before anything is sent back to you.

  4. 04

    Delivery

    Masters and platform-ready encodes, with the projection and metadata already set for where you are publishing.

Footage stays where it already lives — Drive, Dropbox, WeTransfer

Fig. 06 — Technical

Datasheet

If your rig or target platform is not on this list, ask before you buy.

Cameras
Canon R5C (RF 5.2mm dual fisheye) · Insta360 Titan / Pro 2 · Z CAM K2 Pro · Kandao Obsidian · QooCam 8K
Source codecs
Canon Cinema RAW Light · ProRes 422 / 4444 · H.265 10-bit · CinemaDNG
Projection
Equirectangular 180° side-by-side · fisheye passthrough
Delivered resolution
Up to 8192 × 4096 side-by-side (4096 per eye)
Frame rates
24 · 25 · 30 · 50 · 60 fps
Color
10-bit, Rec.709 or HDR (PQ / HLG) on request
Delivery codecs
H.265 (HEVC) · AV1 · ProRes master on request
Target platforms
Meta Quest TV · YouTube VR · Apple Vision Pro · Pico · standalone file
Spatial metadata
Injected per platform, verified in headset before delivery
Fig. 08 — Questions

Before you buy

What if I go over the source limit?

Nothing breaks and nothing gets cancelled. You either move up a package or add a source block at a fixed rate. You are told the difference before any work starts, never after delivery.

How do I send footage that large?

You do not upload anything here. You paste a link to wherever it already lives — Drive, Dropbox, WeTransfer — on the screen before payment. Nothing to install and no account to create.

How many revisions are included?

Revision rounds are included in every package. Fixes to stitching, alignment or encoding errors are not revisions — those are simply the job, and there is no limit on them.

Can you sign an NDA?

Yes, before payment. Send it over and it gets signed the same day. White label work is normal here: your client never learns this step existed.

What about a rush job?

Ask first. Rush capacity depends on what is already in the render queue, and you will get a straight yes or no rather than an optimistic maybe.